Huberti

(i-bér’-té), Gve. Léon, Bru els, April r4, 1843—July 23, 1910; eee) pupil Bru els Cons.; 1865, won Prix de Rome; 1874-78, dir. of Mons. Cons.; 1880-89, Antwerp; then prof. at Bru els Cons., and dir. of the Mus.-School of St. Jo e-ten-NoodeSchaerbeek; 1891, member of the ’ Belgian Academy; 1893, Chevalier of the Legion of Honour. C. oratorios, the dram. poem ‘‘Ver lichting” (‘‘Fiat lux’’), with orch.; symphonic “*Kinder lust en Leed,”? chorus and orch., etc.; symphonie funébre, festival marches, etc. Hucbald (hook’-balt, or iik-bal) (Hugbal’dus, Ubal’dus, Uchubal’dus) de S. Amand(o), ca. 840—St. Amand, near Tournay, June 25 (or Oct. 21), 930 (or June 20, 932). Heis perhaps credited with some works belonging to a monk of the same name living a century later; pupil of his uncle, Milo, a mus.-dir., whose jealousy drove him to Nevers, where he taught singing; 872 he succeeded his uncle; ca. 893, the Archbishop of Rheims invited him to reform the music of the diocese. His works (Gerbert) contain the first known notation showing difference of pitch on lines. Hué (ii), Georges Ad., b. Versailles, May 6, 1858; pupil of Paris Cons., took rst Grand prix de Rome; later Prix Cre ent; 1922 elected mem. of French Acad. to take place of late Camille Saint-Saéns; c. op. com. “Tes Pantins” (Op.-Com., 1881); “‘Riibezahl,”’ symphonic legend in 3 parts (‘‘Concerts Colonne,’’ 1886); succ. ‘‘Féerie dram at i que” ‘‘La Belle au Bois Dormant? (Paris, 1894); “épisode sacré” ‘‘Resurrection”; a symphony, a symphonic overture; the operas ‘‘Le roi de Paris,” 1901; “Titania,? 1903; ‘‘Le Miracle,” 1910; “Dans VOmbre de la Cathédrale”’ (Op.-Comique, 1921), ballet ‘“Siang- Sin’? (Opéra, 1922), etc. Hueffer (hi if’-fér), Francis, Miinster, 1843—London,,Jan. 19, 1889; 1869, lived in London; from 1878, critic of The Times; librettist and writer.