Char pen tier

(shdr-pan-ti-a), Gustave, compr. b. Dieuze, Lorraine, June 25, 1860. Worked as factory a istant: after succe at Lille Cons studied at Paris Cons. 1881-87 under Ma art (violin), Pe ard (harmony), 65 CHAUSSOIT and Rome Orch. became uresque po(‘te and protest, sion to Op4ra where 1908, fully ity, models, its expre ed the and music theories, convincing, Chau on b. 1899. Cons, tary ique; opera, works, poems, known, minded and music dreamy seeming Cherubin i Carlo Florence, Mar. father, and then wards with thorough after puntists. composed able was poser year 1788; pho on it From CHEVILLARD “ Ma enet; won Grand prix de Bouffons,” Italian opera estab- 1887 with sc lyrique Didon lished m Paris by the Queen’s hair suite Impte ions d’ltalie dre er, Leonard; and in 1791 pro popular for daintily pictduced Lodoiska, whose nch ensemorchestiations; La vie du bles and striking haimomc effects symph. diama for orch. soli made great impre ion. Up to 1S04 chorus, stiuck the note of he composed Ins most popular operas later given more full expres- Medce 1797, Les deux journtes m Louise, roman musical (said 1S00, A nacre on 1803. Summoned be fiist of a trilogy), produced at to Vienna 1805, he met Beethoven, Comique 1900, widely else but, embittered by failure of his on the continent and in N. Y. plans, returned to France, where the opera is musically skilafter 1809 he composed chiefly composed, of marked original sacred music He had been apand freedom from conventional pointed inspector when the Cons, it is also remarkable for was founded m 1795, but a i CHLADNI Soci4t6 des demiers quatuors de Beethoven; pf. pupil at Cons, of Mathias, chiefly self-taught in comosition; a istant and succe or?899 of Lamoureux as director of concerts; has composed 2 symph. poems, some songs, and chamber music remarkable for its dignity and personal charm.