Deses
The American History and the Encyclopedia of Music · 1908 · p. 174
D double (da'-ses) flat, Ger. n. Resolute, determined, desiderio (da-se-da'-ri-6) It. n. deter min azione (da-ter-mi-na-tsl-o'- Longing, desire, pa ion: con desine) It. n. derio, with an expre ion of longing, Determination. desinvolturato (da-sen-vol-too-ra'-to) detonation (da-tu-as'-yofl) Fr. n. n v o l ture, ek a-sen-vo l- Singing or playing off the pitch; desi avec (avd especially, flatting. It is more comtur') Fr. n. mon among vocalists than instru- _ILease and grace of manner, or With mentalists and is due to laxity of bearing, attention, or to a defective musical desk ear. 1. The sloping attachment susdetonieren (da-t5-ne'-ren) Ger. v. pended above the keyboard of a piano detonner (da-tun-na') Fr. v. for the purpose of holding the music. To sing or play out of tune; used 2. Key-desk of an organ, the con especially of the gradual lowering of sole; the manuals, pedals, stops and pitch which is apt to occur in ordinary mechanical acce ories considered as choral singing without accompania whole, separate from the pipes and ment, bellows, and, in modern organs, fredetto (det'-to) It. adj. quently placed at a considerable dis- Said; named; the same; the aforetancefrom _ them, especially when said. electric action is employed. deuterus (doo'-tur-us) Grk. n. oesperazion e (des-pe-ra-tsi-6'-ne) It. A Greek word meaning second. In naming the medieval modes or scales, Despair; desperation. the second authentic note was called De aGer. uer Marsch (des'-sow-er marsh) authentus deuterus, the second plagal, plagius deuterus, an authentic mode A celebrated instrumental march, being one which began on the key songs. of Germany's national march one note and extended an octave above it, while a plagal mode began four tones de in (dfls-san) Fr. n. below the keynote of the authentic Design, sketch, plan: the design or mode on which it was based. structure nt, arrange me of a composition; also an deutlich (doit'- Hkh) Ger. adj. Distinct, clear.
Readham'da tam maddeyi gor →