Zajié

(zaé’-yéch), Florian, Unhoscht, Bohemia, 4, 1853—Berlin, May 17, 1926; violinist; son of poor parents; on a stipend studied at Prague Cons.; member theatre-orch., Augsburg; 1881, leader at Mannheim and Stra burg; 1889, at Hamburg; 1891, teacher Stern Cons., Berlin; Cons.; toured widely and was made 1885 and given Ru ian order of Stan is las. (tsi-mi’-ri), (1) Antonio, Milan, June 13, 1829—Hietzing, near Vienna, Nov. 11, 1901; harp virtuoso, pupil of Sechters; teacher at Vienna Cons.; c. for harp, flute, etc. (2) Alfred Maria, b. Vienna, April Zabalza y Olaso (tha-bal’-tha & 6-la’- concertos, etc. 28, 1863; c. operettas. Vide 1saac. studies. (tsim’-mé-nér), Fr.. Darmstadt, (?)—Gie en, 1856; acoustician. (tsdi-nir-dé’-né), Angelo, Venice, 1820—Milan, 1893; c. opera, also writer and translator of libretti. (tsan-d6d-n4’-é), Riccardo, b. Sacco (Trentino) May 28, 1883; pupil of Gianferrai at Trento; from 1899 at Ro ini Cons., Pesaro, in winning comp. prize with symph. poem for voices and orch.; c. also “Serenata Medievale” for cello, 2 harps, and strings; “Ave Maria” for female voices, harp, and strings; “Q Padre Nostro’” (from Dante’s Purgatorio), for chorus, orch., and organ; operas, “Grillo del Focolare* (Cricket on the Hearth) (Turin, 1908), and with great succe elsewhere, and the highly succ. “Conch it a” (based Pierre Louy’s “Femme et le Pantin” (Milan, 1o11, Garden, 10912, etc.); “Melenis’ (Milan, 1912); ‘“Francesca da Rimini,” to a libretto drawn by Tito Ricordi from the tragedy of D’Annunzio (adjudged his masterpiece), (Teatro Regio, Turin, 1914; Met. Op., 1916); “La Via dell a Finestra,” on a comic theme from a play by Scribe, book by Adami (Pesaro, 1919); ‘“‘Giulietia e Romeo,” a new version of the original Italian story on this subject, book by Ro a to (Rome, Teatro Costanzi, 1921); “T Cavaliert di Ekebu,’’ after Selma Lagerléf’s novel, “Gésta Berling,” book by Ro a to (La Scala, Milan, 1925); “Giuliano,” a mystic legend based on Flaubert’s story, with book by Ro a to (Naples, 1928); “La Amorosa,’”’ comedy, on _ the ‘“‘Three-Cornered Hat,” (Rome and Milan, 1935-36); also symph. works, “‘Concerto Romantico” for vin. and orch.; Requiem Ma , compositions.