GYPSUM
A Dictionary of Arts, Manufactures and Mines · 1840 · p. 644
Sulphate of Lime , Alabaster , or Paris Plaster . This substance is found in three geological positions in the crust of the earth; among transition rocks; in the red marl formation; and above the chalk, in the tertiary beds. 1. The alpine gypsums are ranged by M. Brochant among the transition cla , and are characterized by the presence of anthracite or stone coal; some of them are white and pure, others gray or yellowish, and mixed with mica, talc, steatite, black oxide of iron, pyrites, compact carbonate of lime, sulphur, and common salt. Examples of such localities are found in the gypsum of Val-Canaria at the foot of Saint Gothard, that of Brigg in the upper Valais; of the Grilla in the valley of Chamouni, and of Saint Gervais-les-Bains, near Sallenches in Savoy. 2. The secondary gypsum, or that of the salt mine districts, belongs to the red ground , immediately beneath the lias in the order of stratification, and therefore a rock relatively antient. Near North wick, the red marl beds above the great deposit of rock salt, are irregularly intersected with gypsum, in numerous lam inæ or plates. At New biggin in Cumber land, the gypsum lies in red argillaceous marl, between two strata of sandstone; and a mile south of White haven, the subterraneous workings for the alabaster extend 30 yards in a direct line; with two or three lateral branches extending about 10 yards, at whose extremities are large spaces where the gypsum is blasted with gunpowder. It is generally compact, forming a regular and conformable bed, with crystals of selenite (crystallized gypsum) in drusy cavities. Gypsum occurs in the red marl in the isle of Axholme, and various other places in Nottingham shire. In Derby shire some considerable deposits have been found in the same red sandstone, several of which are mined, as at Chellaston hill, which would exhibit a naked and water-worn rock of gypsum, were it not for a covering of alluvial clay. It appears in general to present itself chiefly in particular patches, occasioning a sudden rise, or an insulated hill, by the additional thickne which it gives to the stratum of the red ground in these places. The principal demand for the pure white gypsum, or that faintly streaked with red, is by the potters in Staff ords hire, who form their moulds with the calcined powder which it affords; only particularly fine blocks are selected for making alabaster ornaments on the turning lathe. In one of the salt pits near Droitwich, the strata sunk through, were, vegetable mould, 3 feet; red marl, 35 feet; gypsum, 40 feet; a river of brine, 22 inches; gypsum, 75 feet; a rock of salt, bored into only 5 feet, but probably extending much deeper. On the Welsh side of the Bristol channel, gypsum occurs in the red marl cliffs of Glam organs hire , from Pennarth to Lavernock. No organic remains or metallic minerals have hitherto been found in the gypsum of this formation. 3. The most interesting gypsums in a general point of view, are certainly the tertiary, or those of the plains, or hills of comparatively modern formation. They are characterized, by the presence of fo il bones of extinct animals, both mammifer a and birds, by shells, and a large proportion of carbonate of lime, which gives them the property of effervescing with acids, and the title of limestone gypsums. Such are the gypsums of the environs of Paris, as at the heights of Montmartre, which contain crystallized sulphate of lime in many forms, but most commonly the lenticular and lance-shaped. Sulphate of lime occurs either as a dense compound without water, and is called anhydrite from that circumstance; or with combined water, which is its most ordinary state. Of the latter there are 6 sub-species; sparry gypsum or selenite in a variety of crystalline forms; the foliated granular; the compact; the fibrous; the scaly foliated; the earthy. The prevailing colour is white, with various shades of gray, blue, red, and yellow. More or le translucent. Soft, sectile, yielding to the nail. Specific gravity 2·2. Water di olves about one five-hundredth part of its weight of gypsum, and acquires the quality of hardne , with the characteristic selenitic taste. When exposed on red hot coals, it decrepitates, becomes white, and splits into a great many brittle plates. At the heat of a baker’s oven, or about 400° Fahr., the combined water of gypsum escapes with a species of ebullition. At a higher temperature the particles get indurated. When rightly calcined and pulverized, gypsum is mixed with water to the consistence of cream, and poured into moulds by the manufacturers of stucco ornaments and statues. A species of rapid crystallization ensues, and the thin paste soon acquires a solid consistence, which is increased by drying the figure in proper stoves. During the consolidation of the plaster, its volume expands into the finest lines of the mould, so as to give a sharp and faithful impre ion. The plaster stone of the Paris basin contains about 12 per cent. of carbonate of lime. This body, ground and mixed with water, forms an adhesive mortar much used in building, as it fixes very speedily. Works executed with pure gypsum never become so hard as those made with the calcareous kind; and hence it might be proper to add a certain portion of white slaked lime to our calcined gypsum, in order to give the stucco this valuable property. Coloured stuccos of great solidity are made by adding to a clear solution of glue, any desired colouring tincture, and mixing-in the proper quantity of the calcined calcareous gypsum. The compact, fine-grained gypseous alabaster is often cut into various ornamental figures, such as vases, statuary groups, ., which take a high polish and look beautiful, but from their softne are easily injured, and require to be kept enclosed within a gla shade. In America and France, the virtues of gypsum in fertilizing land have been highly extolled, but they have not been realized in the trials made in this kingdom. Pure gypsum consists of lime 28; sulphuric acid 40; water 18; which are the respective weights of its prime equivalent parts. M. Gay Lu ac, in a short notice, in the Annales de Chimie for April 1829, on the setting of gypsum, says that the purest plasters are those that harden least, and that the addition of lime is of no use towards promoting their solidity, nor can the heat proper for boiling gypsum ever expel the carbonic acid gas from the calcareous carbonate present in the gypsum of Montmartre. He conceives that a hard plaster-stone having lost its water, will resume more solidity in returning to its first state, than a plaster-stone naturally tender or soft; and that it is the primitive molecular arrangement which is regenerated. See Alabaster . h. HADE; signifies among English miners, the inclination, or deviation from the vertical, of any mineral vein. HAIR; ( Cheveu , Crin , Fr.; Haar , Germ.) is of all animal products, the one least liable to spontaneous change. It can be di olved in water only at a temperature somewhat above 230° F., in a Papin’s digester, but it appears to be partially decomposed by this heat, since some sulphuretted hydrogen is disengaged. By dry distillation, hair gives off several sulphuretted gases, while the residuum contains sulphate of lime, common salt, much silica, with some oxide of iron and manganese. It is a remarkable fact that fair hair affords magnesia, instead of these latter two oxides. Horse-hair yields about 12 per cent. of phosphate of lime. Hairs are tubular, their cavities being filled with a fat oil, having the same colour with themselves. Hair plunged in chlorine gas, is immediately decomposed and converted into a viscid ma ; but when immersed in weak aqueous chlorine, it undergoes no change, except a little bleaching. The application of nitrate of mercury to hairy skins in the proce of secrétage , is explained under Peltry . For the dyeing of horse-hair, see the next article . Living hairs are rendered black by applying to them for a short time, a paste made by mixing litharge, slaked lime, and bicarbonate of potash, in various proportions, according to the shade of colour desired. We have no recent analysis of hair. Vauquelin found nine different substances in black hair; in red hair, a red oil instead of a greenish-black one. The salts of mercury, lead, bismuth, as well as their oxides, blacken hair, or make it of a dark violet, by the formation, most probably, of metallic sulphurets. Hair as an object of manufactures is of two kinds, the curly and the straight . The former, which is short, is spun into a cord, and boiled in this state, to give it the tortuous springy form. The long straight hair is woven into cloth for sieves, and also for ornamental purposes, as in the damask-hair cloth of chair bottoms. For this purpose the hair may be dyed in the following way. Forty pounds of tail hair about 26 inches long are steeped in lime water during twelve hours. Then a bath is made with a decoction of 20 pounds of logwood, kept boiling for three hours, after which time the fire is withdrawn from the boiler, and ten ounces of copperas are introduced, stirred about, and the hair is immersed, having been washed from the lime in river water. The hair should remain in this cooling bath for 24 hours, when the operation will be finished. For other colours, see the respective dyes. IMG:4147767755307473660_illo0632.png:Templet The looms for weaving hair differ from the common ones, only in the templet and the shuttle. Two templets of iron must be used to keep the stuff equably, but lightly stretched. These templets, of which one is represented in fig. 532. , are constructed in the shape of flat pincers; the jaws C C being furnished with teeth inside. A screw D , binds the jaws together, and hinders the selvage from going inwards. Upon the side cro beam of the loom, seen in section at I , a bolt is fixed which carries a nut F at its end, into which a screwed iron rod E enters, on one of whose ends is the handle B . The other extremity of the screw E is adapted by a washer and pin to the back of the pincers at the point H , so that by turning the handle to the right or the left, we draw onwards or push backwards the pincers and the stuff at pleasure. The warp of the web is made of black linen yarn. The weft is of hair, and it is thrown with a long hooked shuttle; or a long rod, having a catch hook at its end. The length of this shuttle is about 3 feet; its breadth half an inch, and its thickne one sixth. It is made of box-wood. The reed is of polished steel; the thread warps are conducted through it in the usual way. The workman pa es this shuttle between the hairs of the warp with one hand, when the shed or shuttle way is opened by the treddles; a child placed on one side of the loom presents a hair to the weaver near the selvage, who catches it with the hook of his shuttle, and by drawing it out pa es it through the warp. The hairs are placed in a bundle on the side where the child stands, in a chest filled with water to keep them moist, for otherwise they would not have the supplene requisite to form a web. Each time that a hair is thrown acro , the batten is driven home twice. The warp is dre ed with paste in the usual way. The hair cloth after it is woven, is hot calendered to give it lustre. HAIR PENCILS OR BRUSHES for painting. Two sorts are made; those with coarse hair, as that of the swine, the wild boar, the dog, ., which are attached usually to short wooden rods as handles; these are commonly called brushes ; and hair pencils properly so called, which are composed of very fine hairs, as of the minever, the marten, the badger, the polecat, . These are mounted in a quill when they are small or of moderate size, but when larger than a quill, they are mounted in white-iron tubes. The most e ential quality of a good pencil is to form a fine point, so that all the hairs without exception may be united when they are moistened by laying them upon the tongue, or drawing them through the lips. When hairs present the form of an elongated cone in a pencil, their point only can be used. The whole difficulty consists after the hairs are cleansed, in arranging them together so that all their points may lie in the same horizontal plane. We must wash the tails of the animals whose hairs are to be used, by scouring them in a solution of alum till they be quite free from grease, and then steeping them for 24 hours in luke-warm water. We next squeeze out the water by pre ing them strongly from the root to the tip, in order to lay the hairs as smooth as po ible. They are to be dried with pre ure in linen cloths, combed in the longitudinal direction, with a very fine-toothed comb, finally wrapped up in fine linen, and dried. When perfectly dry, the hairs are seized with pincers, cut acro close to the skin, and arranged in separate heaps, according to their respective lengths. Each of these little heaps is placed separately, one after the other, in small tin pans with flat bottoms, with the tips of the hair upwards. On striking the bottom of the pan slightly upon a table, the hairs get arranged parallel to each other, and their delicate points rise more or le according to their lengths. The longer ones are to be picked out and made into so many separate parcels, whereby each parcel may be composed of equally long hairs. The perfection of the pencil depends upon this equality; the tapering point being produced simply by the attenuation of the tips. A pinch of one of these parcels is then taken, of a thickne corresponding to the intended size of the pencil; it is set in a little tin pan, with its tips undermost, and is shaken by striking the pan on the table as before. The root end of the hairs being tied by the fisherman’s or seaman’s knot, with a fine thread, it is taken out of the pan, and then hooped with stronger thread or twine; the knots being drawn very tight by means of two little sticks. The distance from the tips at which these ligatures are placed, is of course relative to the nature of the hair, and the desired length of the pencil. The base of the pencil must be trimmed flat with a pair of sci ors. Nothing now remains to be done but to mount the pencils in quill or tin-plate tubes as above described. The quills are those of swans, geese, ducks, lapwings, pigeons, or larks, according to the size of the pencil. They are steeped during 24 hours in water, to swell and soften them, and to prevent the chance of their splitting when the hair brush is pre ed into them. The brush of hair is introduced by its tips into the large end of the cut quill, having previously drawn them to a point with the lips, when it is pushed forwards with a wire of the same diameter, till it comes out at the other and narrower end of the quill. The smaller the pencils, the finer ought the hairs to be. In this respect, the manufacture requires much delicacy of tact and experience. It is said, that there are only four first-rate hands among all the dexterous pencil-makers of Paris, and that these are principally women. HALOGENE; is a term employed by Berzelius to designate those substances which form compounds of a saline nature, by their union with metals; such are Bromine , Chlorine , Cyano gene , Fluorine , Iodine . Haloid is his name of the salt thereby formed.
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