Wagner ism (vagnerizm)

[ cluding the general style of composition based on that theory. Among the many characteristics of the theory are these: the choice of a general subject in which the mythical and heroic elements are prominent; the amalgamation of poetry, music, action, and scenic effect into the most intimate union as equally important coöperating elements; the desertion of the conventionalities of the common Italian opera, especially of its sharply defined and contrasted movements and its tendency to the display of mere virtuosity; the abundant use of lead ing motives as a means to continuous and reiterated emotional effect; the immense elaboration of the orchestral parts, so that in them is furnished an unbroken present a tion of or commentary on the entire plot; and the free veyance by wagon. Wagonage, indeed, seems to the commi ariat an article not worth economizing. Jefferson, To Patrick Henry (Correspondence, I. 158). 2. A collection of wagons. box. In the gra y piazza two men had a humble show of figs and cakes for sale in their wagon -beds. Howells, The Century, XXX. 672.