Infra bass (In'-fra-bas) Ger. n

Composed of the Latin prefix infra, Those parts of the harmony that meaning beneath, and the German are neither at top nor bottom, as alto noun Ba , meaning ba , hence, sub or tenor, ba or lower ba . This name is a pinner pedals plied to an organ stop composed of A sustained note on one of the pipes having an especially low pitch. inner parts, such as tenor or con in fur i ante (In-foo-ri-an'-te) It. adj. tralto, similar to the sustained note in fur i a to (in-foo-ri-a'-t6) It. adj. in the ba called pedal-point or Furious, raging, enraged. pedal-note, upon which various related ingan no (in-gan'-no) It. n. and unrelated chords are built up. Fraud; trick; deceit; a deception: innig (ln'-nikh) Ger. adj. applied to an interrupted or descrip- _ Genuine, hearty, fervent, tender, tive cadence, that is, one on which the sincere. intimo (It), Equivalent to affettuoso and chord built on the fifth note of the scale is followed by some other chord, inniglich (in'-nikh-likh) Ger. adv. but that built on the first note, and Fervently, tenderly, genuinely, sincerely, the melody therefore, seems unsatisfying and incomplete to the ear. Also in no (tn'-no) It. n. applied to any unusual resolution or Hymn; canticle; sacred song; an changing of a discord into a concord; ode. also to any unexpected modulation or innocenza (In-no-chen'-tsa) It. n. change of key. Cadenza d' ingan no, Innocence; simplicity; naturalne ; deceptive cadence. artle ne ; as con innocenza, in a ingegno (in-jan'-yo) It. n. childlike, artle manner. Natural talent; ability; skill; disinquieto (in-kwi-a'-to) It. adj. cretion, Uneasy; hara ed; restle ; agiingemination tated, An old term meaning repetition of inscription the words. A motto, sign or combination of ingre a (In-gras'-sa) It. n. both placed at the beginning of a Entrance: in the Ambrosian rite the canon to indicate how it is to be name of the introit or antiphon; solved. It was the delight of the music sung responsively by two founders of the Flemish school, of choirs while the priest is approaching canon writers who flourished during the altar to celebrate ma . the latter half of the Fifteenth Cen- Inhalt (ln'-halt) Ger. n. tury, to make their canons as abstruse Contents; substance; meaning; idea. as po ible, and to place at their heads 286 267 inscription intavolatura devices such as a cro or circle or Instrumentierung (in - stroo - mSn-te'- other form as a sort of clue to their roongk) Ger. n. hidden meaning. These often served 1. The art of distributing the harmerely to complicate the matter. mony among the different parts of an orchestra. insegnamento (In-san-ya-men'-to) It. 2. The art of combining orchestral n. Instruction; teaching, instruments so as to produce certain effects.