ANONYMITY

omi ion of name of author from his production (cf. Pseudonymity, use of false name). Many literary productions, like Auca in et Nicolette, obstinately continue to conceal their authorship, but others yield to scholars’ labors; progre of criticism in modern times has done much to discover secrets of styles and unmask a. Some treatments of this subject are Halkett and Laing, Dictionary of the ture of Great Britain (1881-88); Cushing, ttaliant (1884-59) with A ppendice (1887); (1869-71); Barbier, Dictionnaire des 79); Brunet’s Supplement (1889); Deut-- America, and Germany largely employ a. in journalism, but France pa ed a law, 1850, by which all political and religious manifestations must be signed.