danzatore (dan-tsa-to'-re) It. n

A male dancer, raised a semitone. danzatrice 3. A vertical line drawn through the A female (dan-tsa-tre'-che) dancer, It. n. sign of common time indicating two danzetta half notes to a bar in about the A short (dan-tset'-ta) or little dance.It. n. same tempo as two quarter dar la voce (dar la vo'-che) It. notes to a bar ordinarily. Literally, to give the voice: to 4. In music written for the harps i strike or sound the keynote, i chord an oblique line pa ing between darabooka (da-ra-boo-ka) n. two notes indicating an emdaraboukkeh (da-ra-boo'-ke) n. bell ish ment called the coule. darabukkeh See also coule. A small drum used by the people of various eastern nations. The shell is Das i an no tie rung roongk) Ger. (da' n. - zi - an - no - te'- bottle shaped and is usually made of Dacian notation; a system which pottery or wood. The instrument is originated about the Ninth Century, held in the lap with the broad end A.D., and was ascribed to Hucbald. projecting and is beaten with the Its main point was the use of various fingers. forms of the letter F for a number of dargerson tones in the old church modes, Scotch. (dar'-giir-son) Eng. n. from A very old English dance which da elbe (das-zel'-be) Ger. adj. The same; the very same. was popular in the reign of Henry VII. In this dance the dancers formed Dauer (dow'-er) Ger. n. Length of of sound. duration notes; continuance or a long line, all the youths at one end and all the maidens at the other. When the dance began the youth Daumenaufsatz Ger. n. (dow'-men-owf'-zats) nearest the girls turned to the girl at Thumb position; a term used in his side and danced with her, then cello playing. moved on down the line, dancing with each girl in turn, while the other Daumenklapper Ger. n. (dow'-men-klap'-per) youths followed him, dancing each Thumb-clapper; a castanet. time with a new partner. Thus each daybreak song youth danced with each maid and then An aubade, or morning song; a returned to his original place, dancing song used to awaken from sleep; in his way back again with change of contradistinction to serenade or even partners at each turn. ing song. 170 151 de chant monotone decima plena de ton is de chant monotone (du shaft mon-5- dacanto (de-kan'-to) To chant, to sing, Lat. v. ton) Fr. In a monotonous chant: in the man decern (da'-tsem) Ger. n. ner of a chant with a number of An organ-stop pitched ten degrees words recited to one tone, as in the higher than the normal, or eight foot Episcopal Church service. tone. This stop is sometimes called de plus en plus vite (du-plii-zan plii a tenth, or, the double tierce, from vet') Fr. being an octave plus a third above More and more rapidly. the normal pitch, deceptive De pro fund is (de pro-fun'-dls) Lat. mony. Misleading: a term used in har- The name of one of the seven penitential psalms set to music for use in church services, deceptive cadence dead accent Also called an interrupted, irreg- In violin playing, an accent caused ular, avoided, or surprise cadence. The by a forcible attack of the bow, which deceptive cadence is one which closes then pre es the strings with dead with a chord different from one that weight, the musical ear would naturally exdead march pect to follow the chord preceding it. A funeral march; a dirge, deceptive modulation A modulation in which there is an