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Gr. 35-stringed harp. SIGNS AND SYMBOLS (See also GRACES and NOTATION,) NUMERALS AND 1, 2, 3, etc. See chord, METRONOME, FINGERING, TEMPO and REST. 8, 8va. See OTTAVA. 2', 4’, 8, 16’. 2, q, f, etc. oN, I-ma, 2-da, etc. Prima (Second a, etc.) volta. See HARMONIUM. Man. See TEMPO. “*, See TRIPLET, 5,; QUARTOLE, ete: or at, b*, a®, C,, Cg, etc. a, a, etc. DOTS, See PITCH. COMMAS, Staecato. 7+. Very staccato. — s— Placed under notes sung to one syllable; in Tonic Sol-fa, placed under the letters. or Martellato. Forte tenuto. aeeeeeee The Choir Organ. G, B, ti et VII®, ete. tSee CHORD. O. 1. Open string. 2. See HARMONIC. 3. Tasto solo. 4. The heel, in organ playing. See below. X Fermate. Presa. S 8: @ 2 Segno. $52 ETC. Breathing-place. Pesante. Mezzo legato. Bind. — Slur. Tie. Sign of a measure where no bat — is required. >Av-— Heel and toe; in organ-playing placed above the notes for the right foot; below, for the left. ~ or |// Abbreviation indicating a repe- S* LINES, Double-sharp, — Slightly staccato and marcato. rd Man. 2. *or////oryy Slightly staccato. eeecee The Great Organ, CURVES, See DOT and NOTATION. es 1. I, Il, a’, A’, b”, B”, etc. « tette; etc: See Foor. G), (2), etc. ACCENTS. 4-tette, 5-tette, etc. Quartette, Quin- Thumb (pfte.-music). Sharp, Flat, Natural, A~A_ Slide the toe to the next note. v—A_ Change toes on the same note. Vv 1. Up-bow. 2. Breathing place. A Down-bow in ’cello music. L} [1 [ 1 L_J Down-bow on the violin. 1. In organ music, alter. nately heel and toe 2. Bind, f the same foot, Notes thus connected are to be “played with the same finger or hand; or to be sung dvisi. ‘(7 sPesante. M/ ~ or y Nv or —~ Notes so connected are to be played with the same hand, or continue a melody or a resolution from Baar etc. Turn. % + BREVE. or. or Thumb-position on the ’cello. —— __ Crescendo. ——-__ AND SIXTEENTH. Note. Turns to the left. Note. Like tail of Rest. Rest. Note. Rest. or Above or upon the 3rd line. THIRTY-SECOND, Rest. QUARTER- HALF Note. Below the 4th line. EIGHTH. Note. Rest. Diminuendo. SIGNATURES. WHOLE. Note. Rest. Rest. A recent improved sign marking exactly the points where the pedal is to be pre ed and released. Arpeggio. A chord preceded by this mark is to be played broken. Note. Release damper-pedal. -——1orL_J Sign of the continuation of a TRILL (q.v.) or of ALL’ OTTAVA (q.v.). RESTS, Mordent. co one staff to another. NOTES. Direct. Inverted Mordent. ww { Brace. — Two. or Turns to the right. Rests of more than one measure. Three. Four. Four. Six. Like tail of the note. the note. KEY SIGNATURES,—Capital letters indicate Major keys; small letters, the relative Minor keys which use the same signatures. White notes indicate the tonics of Major keys; black notes, the tonics of Minor keys. SS pre = D 7a |ans? ae F d — B flat g re Se are; eo nk Seneca a Eat = es - A E B Fsharp Csharp fsharp csharp gsharp dsharp a sharp: E flat iS ae. she care a Somes Sy aie ee A flat f a 0 Sere D flat b flat G flat e flat aaa | eee t v C flat a flat sim/ilar. Vide MOTION.