Calvl

Dictionary of Musicians · 1910 · p. 59
(kal-vfi), Emma, dram sop. b. Aveyron, 1864 [1866?] Real name de Roquer; daughter of simple peasants; educated at convent m Montpellier; left at 15, renouncing religious aspirations to help support family, after study m Paris unde i Puget's direction, made concert ddbut at chanty conceit, Nice, 1881, in place of Cruvelh; d6but Bru els 1882; after year’s study with Marchesi made Pans d4but at Th It alien, Dec. 16, 1884; sang at Opdra Comique 1884-86 and in Milan without great succe , after M more study in Palis with me. Laborde, created Santuzza in CavaUena Rusticana 1890, returned to Opdra Comique, singing her great part, Carmen, first m 1892; appeared in London and New York 1893, toured Ru ia and Spam 1894-95; created parts in La Navar raise 1894 and Sapko 1897; not only singer of wide and well-founded populanty, but actre of unusual originality, as is shown in Carmen and Marguerite; retired 1913. Cambert (kon'-Mr7 Robert, compr. ), b. Paris, 1628; d. London, 1677. Pupil of ChambonniSres: orgt. at St. Honors, intendant of music to Anne of Austria; composed La pastorale, first French opera after Italian fashion, 1659; when Pornn received letters patent for establishing national opera m 1669 Cambert was a ociated with him; composed Pomone 1671, and other works; after 32 years, driven from France by intrigues of Lully, he became master of music to Chas. II of England. Camp. John Spencer, orgt, compr b. Middle town, Conn., Jan. 30, 1858. Graduated Wesley an Umv. 1878; CAMPAOTNI studied mus with Parsons, Shelley, Buck and Dvof dir. Hartford (Conn.) Philh. Orch.; orgt. and choirmaster 1st Cong Ch., Hartford; founder Guild of Organists; composed cantatas, orch. works, string qt pf. and organ pieces, songs, anthems and services
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