moody hearted (modihar" ted)

Melancholy. Hall i well. [Prov. Eng.] moody-madł (mö'di-mad), a. Mad with anger. Moody - mad and desperate stags to the naked eye diversified by dark and bright patches, giving rise to the "man in the moon" of popular fancy (see under man ); but on examination with a powerful telescope these are lost sight of, and replaced by a crowd of interesting objects, such as mountains and A Part of the Moon's Surface. of volcanic regions on the earth's surface. The moon has no clouds, shows no indications of an atmosphere or of the presence of water, and is believed to have a tempera- ture which at its maximum does not rise above the melt- ing-point of ice. See libration . To graffe and so we in growing of the moone , And kytte and mowe in wanyng is to doon. Palladius , Husbondrie (E. E. T. S.), p. 30. What time the mighty moon was gathering light. Tennyson, Love and Death. Shak ., 1 Hen. VI., iv. 2. 50. 2. A satellite of any planet: as, the moons of IMG:content-0924.png:[blocks in formation] By worms they're eaten, in mools they're rotten. Clerk Saunders (Child's Ballads), II. 324. Burns, To the Toothache. Or worthy friends rak'd in the mools , Sad sight to see! 2. In logic, a variety of syllogism depending on the quantity (universal or particular) and qualmoolah, moollah (möʻlä), п. Same as molla. ity (affirmative or negative) of the propositions composing it. In the traditional logic the names of the moods (Invented by Petrus His pan us) are - First fig ure, Barbără, Cēlārent, Dării, Feriō, Bărălipton, Cēlantēs, Dabitis, Fapesmo, Frisesõmõrum; Second figure, Cēsărě, Camestres, Festinð, Bărōco, Third figure, Darapti, Fēlapton, Disămis, Dātīsī, Böcar do, Fěrison. These names are merely mnemonic, and many of their letters are significant. The vowel a denotes a universal affirmative proposition, e the universal negative, i the particular affirmative, and o the particular negative. By the first syllable is indicated the major premise, by the second the minor, and by the third the conclusion. For example, the name Barbara shows that the first mood of the first figure consists of two universal affirmative premises leading to a universal affirmative conclusion. The same understanding is to be had in regard to the vowels of the other words. Certain of the consonants also are significant. Thus, all indirect moods designated by a word beginning with b should be reduced to Barbara, the first mood of the first figure; all that are designated by a word beginning with e, to the second mood, Celarent; all in d to Darii, the third; and all in f to Ferio, the fourth. Other letters indicate how to reduce indirect to direct moods: thus 8 signifies that the proposition denoted by the vowel im- mediately preceding is to be simply converted in the re- duction; p , that the proposition denoted by the vowel im- mediately preceding should be converted per accidens; m , that the premises should be transposed that is, the major should be made the minor, and conversely; and c, that the mood designated by the word in which it occurs should be reduced per impo ibile: whence the verses: Simpliciter vult s vert i, p vero per acc i; M vult transponi, e per impo ibile duci. Servat majorem, variatque secund a minorem; Tertia majorem variat, servatque minorem. A moode is a lawful placing of propositions in their dewe qualitie or quantitie. Sir T. Wilson , Art of Logic, fol. 26. 3. In music , same as model , 7. IMG:content-0925.jpg:[blocks in formation]