Transfer

—When the paper is moistened, the transfer of the ink from the gamboge is perfect and infallible. The starch separates from the gelatine, and if, after taking the paper off the stone, we place it on a white slab of stone, and pour hot water over it, it will resume its primitive state. The coat of gamboge ought to be laid on the same day it is di olved, as by keeping, it becomes of an oily nature; in this state it does not obstruct the transfer, but it gives a glo to the paper which renders the drawing or tracing more difficult, especially to persons little habituated to lithography. The starch paste can be employed only when cold, the day after it is made, and after having the skin removed from its surface. A leaf of such lithographic paper may be made in two minutes. In transferring a writing, an ink drawing, or a lithographic crayon, even the impre ion of a copper-plate, to the stone, it is nece ary, 1. that the impre ions be made upon a thin and slender body like common paper; 2. that they may be detached and fixed totally on the stone by means of pre ure; but as the ink of a drawing sinks to a certain depth in paper, and adheres pretty strongly, it would be difficult to detach all its parts, were there not previously put between the paper and the traces, a body capable of being separated from the paper, and of losing its adhesion to it by means of the water with which it is damped. In order to produce this effect, the paper gets a certain preparation, which consists in coating it over with a kind of paste ready to receive every delineation without suffering it to penetrate into the paper. There are different modes of communicating this property to paper. Besides the above, the following may be tried. Take an unsized paper, rather strong, and cover it with a varnish composed of :— | Starch | 120 | parts | | Gum arabic | 40 | — | | Alum | 20 | — | A paste of moderate consistence must be made with the starch and some water, with the aid of heat, into which the gum and alum are to be thrown, each previously di olved in separate ve els. When the whole is well mixed, it is to be applied, still hot, on the leaves of paper, with a flat smooth brush. A tint of yellow colour may be given to the varnish, with a decoction of the berries of Avignon, commonly called French berries by our dyers. The paper is to be dried, and smoothed by pa ing under the scraper of the lithographic pre . Steel pens are employed for writing and drawing with ink on the lithographic stones. LITMUS ( Tournesol , Fr.; Lackmus , Germ.); is prepared in Holland from the species of lichen called Lecanora tartare a , Roccella tartare a , by a proce which has been kept secret, but which is undoubtedly analogous to that for making archil and cudbear . The ground lichens are first treated with urine containing a little potash, and allowed to ferment, whereby they produce a purple-red; the coloured liquor, treated with quicklime and some more urine, is set again to ferment during two or three weeks, then it is mixed with chalk or gypsum into a paste, which is formed into small cubical pieces, and dried in the shade. Litmus has a violet-blue colour, is easy to pulverize, is partially soluble in water and dilute alcohol, leaving a residuum consisting of carbonate of lime, of clay, silica, gypsum, and oxide of iron combined with the dye. The colour of litmus is not altered by alkalis, but is reddened by acids; and is therefore used in chemistry as a delicate test of acidity, either in the state of solution or of unsized paper stained with it. It is employed to dye marble blue. LIXIVIATION ( Le ivage , Fr.; Auslagen , Germ.); signifies the abstraction by water of the soluble alkaline or saline matters present in any earthy admixture; as from that of quicklime and potashes to make potash lye, from that of effloresced alum schist to make aluminous liquors, .