Signs

(Compare Abbreviation, Notation, Segno.) [Italicized terms indicate that the signs are no longer in use.]. Dot. Staccato. Sforsato. Forte tenuto, “Tum Bebung. Mezzo staccato. SPE Gee Dot 3.) ———— (under notes to be sung to veeettecs, One syllable; in Tonic Sol-fa, a line under the letters). Hold, © € — Wotation, §3.) * (Abbreviation.) Sf Presa. Ss HSI Segno, oles Double relish, MR Double-sharp. Repeat SMS STE Repeats ( and 4 times). # Repetition of words, x or-+ — Thumb (pfte.-music). xd Double-sharp. ’ Breathing-mark, Backfall, "Could, Pine, Tremblement. » Double Backfall, - Tenuto, Pesante, Mezzo legato. —— Bind. Slur. Tie. ¢ Accent. Could, Port de voix. Pincd. - Tasto solo. S Double Appoggiatura. “ay Suspension, “ Cadent, — — Plain beat. Nor] Accent, Nachschlag, Pore tamento, Schleifer, Chute,. - Port de voix, Backfall (Double Backvow fall), — Springer. £ Acciaccatura, Arpeggio. SIGN SSS — LCL) Single (Double) Relish, Forte piano (fp). A'v — Sforzato. 179 nected are to be played with the same hand (2) that a part is transferred from one staff to another. wiavora/ — Direct. Inverted Mordent. Cadence. ay Mordent. ran) av ete. Trill. wo (2 2 2%) Turn (Back-turn). * Take damper-pedal (obe solete). % + Release damper-pedal. PS Sign of the dim in. triad “Geg. vin). © oO Harmonic mark, Open string. 0 Tasto solo (Thorough-b.). Triple time (see Nota 9 (ey §3). 3 ‘Thumb-positions (violoncello-playing). OA Heel and toe (organ-mu(or V) sic). Over notes for right foot, under notes for left foot. A—V_— Change toes on organA idle ‘same toe to next note. Examples: oA O AO A 23S Sst SSS) A AO A ° AO we ALA 1,2, 3,4,etc. (See Numerals.) ©,, ete. (See Harmonium-music.), A,, etc. (See Chord, Thorough Ah fs aes I 11, III’ (See Chord.) 2! 4! 8' 16’ (See Foot.): ate” al bt ct fete. (See Pitch, §1.) abe Ai Bi Cy. T Gamma. ¢ ere PP (See Tambourine.) M. M. J 60 (See Metronome.) 180 SIGNALHOR a ‘a AK poaweees T ch Sw. In organ-music, signifies * change hands on chord ". ere __ Ct Seen In pfte.-music, signifies “‘ hold chord with pedal”. rap present at i’vo, dramatic monodic song with instrumental accomp. in chords; a style originating toward the close of the 16th century. —STOP. 187 ee Stim’me (Ger.) 1. Voice.—2. Part; mit der Stimme, coll a parte—3. Organs top (eneraly. in ‘compounds).—4. Soundpost... Stimm'ansats, the attack of a vocal tone... Stimm’ binder, vocal cords... Stimm’bildung, training or development of the voice... Stimm’bruch, breaking of the voice, mutation... Stimm’ buch, part-book... Stim’men, to tune; to voice (an organ)... Stim’mer, (2) tuner; () drone (of bagpipe)... Stimnt flste, pitch-pipe... Stimm' fakrer, leader in a chorus,.. Stimm’fuhrung, leading of the parts... Stimm’gabel, tuning-fork... Stimm’ hammer, tuning-hammer... Stimm’holz, -hélschen, soundpost... Stimm’ horn, tuning cone... Stimm'keil, tuning - wedge... Stimm’kricke, taning-wire...Stimm’mittel, vocal powers, capacity... Stimm’ Pfeife, pitch-pipe... ‘Simm ite, glottis... Stimm’stock, soundpost (violin); wrest-plank (pfte.)...Stimm’unifang, compa of the voice...Stim’mung. (a) tuning; acc or datura; (4) pitch; Stimmung halten, to keep in tune; (c)a mood, frame of mind; Stim'mungsbild, a ‘‘mood-picture”, short characteristic Piece... Stimm’ werkzeuge, vocal organs. stinguen’do (It.) Dying away. stiracchia’to,