LA NAVAR RAISE

Opera in one act by Ma enet; libretto by Jules Claretie and Henri Cain. It was performed for the first time at Covent Garden, June 20, 1894, by Mme. Calvé and Me rs. Alvarez, Plançon, Gilibert, Bonnard, and Dufriche. The opera is one of other days. Now it is seldom given. There were two famous Anitas —Emma Calvé and Jeanne Gerville-Réache. The extraordinary succe of "Cavalleria Rusticana" no doubt impelled Ma enet to try his hand at a tragic one-act opera, just as "Hänsel and Gretel" was responsible for his "Cendrillon." It is among the best of his works. The music is intensely dramatic. It has colour, vitality. The action is swift and stirring, uninterrupted by sentimental romanzas. The libretto is based on a short story, "La Cigarette," written by Jules Claretie and published in the Figaro Illustré about 1890. Later it gave the title to a collection of short stories. The time is during the last days of the Car list war. The place is Spain. Araquil , a Biscayan peasant, loves Anita madly, but her parents frown upon his poverty. No crime seems too great to win his bride. General Garrito , the Spanish chief, has promised a reward to any man who will deliver up Zucarraga , the Car list. When this dangerous foe is injured in battle, Araquil poisons the wound and claims the promised reward. The general pays the sum, but, disgusted, orders Araquil to be shot. Anita's father consents to the wedding before the execution. But Anita refuses disdainfully, and Araquil is killed as he puffs a cigarette. This is Claretie's story. At his suggestion and for the purposes of opera the parts were changed. Araquil became Anita and the peasant with the cigarette became La Navar raise .