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The American History and the Encyclopedia of Music · 1908 · p. 28
The accademie were originally One very =common change from the called after their founders, but after accent is»>called syncopation and is wards were named according to their caused by tying an ordinarily unacobjects or by some elaborate title, as cented note to the following accented fancy directed, such as Accademia note (the cro es in the illustration Degl' Intrepedi, Academy of the mark the syncopations). Frequently 28 accent acciaccatura sf. (sudden force) is added to emphathe end of a phrase or sentence, corsize this departure from regular stre . responding to the inflection of the Composers speaking voice at punctuation marks. use great There are seven kinds of accent us, as liberty in follows, called immutabilis when, at a the matter period in the text, the voice does not o f accent, ■ill JJ.J rirr change from the monotone, in which but the it has recited the whole phrase: med us change i s sf sf when it falls a third below the recit always indicated by an accent mark ing-note, sol-mi, at the end of a phrase «or> or by rf. or rfz. (rinforzmarked by a colon: gravis when it an do), — (tenuto), ~ (marcato), falls a fifth, sol-do, at a period: sf. or sfz. (sforzando), or fz. (forza cut us when it falls a third and rean do). turns to the reciting-note, sol-mi, mi- Oratorical accent relates to the corsol, at a comma: moder at us when it respondence between the accent of the rises a second and returns, sol-la-sol, note and the natural accent of the at a comma: interrogatus when it falls words in vocal music. A failure to a second and returns, sol-fa, fa-sol, at make these correspond results in lo a question mark: and finalis when it of force and expre ion. rises a second and falls through each accent, oratorical degree to a fourth below the reciting- See oratorical accent, note, sol-la-sol-fa-mi-re, at the end. accent, primary There are some variations to these See primary accent, usages, but they are rare. See also accent, rhythmical Accent us. See rhythmical accent. acce ory notes accented notes Also called auxiliary notes. The See notes, accented, eight notes (quavers) not nece ary to accent i the harmony. Used in ornaments. Accents.(at-chen'-te) See accent.It. n. They are placed adjoining degrees of accento (at-chen'-to) It. n. the staff above or below their prin- Accent, stre , or emphasis on cercipal note as in a turn, or trill. See tain notes. See accent, also turn or trill, accentor acce ory tones The leading singer or performer in Tones heard faintly like an echo in a duet, trio, or quartet, on whom it a higher octave, after the principal devolves to keep the accent and time tone dies away. See also harmonics. correct. Obsolete, acce ory voices accentuato (at-chen-too-a'-to) It. adj. Accompanying voices. Accentuated: strongly accented. acc i acc are (at-chak-ka'-re) It. v. accentuiren (ak-tsen-too-e'-ren) Ger. v. To crush; bruise; pound: to strike To accentuate, accent, the edchord way. in a brusque and unexpect-
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