Granados

y Camp in a (gri-ni’-dhis é kaim-pé’-ni), Enrique, Lerida, July 27, 1867—March 24, 1916, perished on torpedoed ship, Su ex, when returning from a visit to the U. S.; Spanish composer of strong nationalistic leanings and marked individuality; son of a military officer, he had his first musical instruction from the army conductor Junceda; later studied piano with Jurnet and Pujol in Barcelona, also comp. with Felipe Pedrell, and had further piano work with de Beriot in Paris. He founded and dir. (after 1900) the Sociedad de Conciertos Clasicos; toured Spain and France as an excellent pianist. His opera, ‘‘Goyescas,’’ was composed in his latter years, using material from some of his pop. piano works, and was prem iéred at the Met. Op., N. Y., in the presence of the composer, 1915-16. His output inoluded also the operas ‘‘Petrarca,’® ‘‘Foilet,” “Maria Carmen” numerous zarzuelas; (orch.) ‘Dante’; “Elisenda” Suite; “La Nit del Mort”; ‘Serenata’; Suites Gallega and Arabe; “March a de los Vencidos”; “Tres Danzas Espagnoles’’; piano trio; works for ’cello and piano, piano and orch., songs with piano acc.; but his princ. legacy remains his large collection of keyboard music, which has won a wide popularity with performers. tenor, cantor. (2) Jn. Gl, 1698— of Royal c. 40 symphonies, Berlin, 1771; bro. of above; violinist; pupil of Pisendel and Tartini; in service of Fredk. the Great and cond. etc. band; (3) K. H., Wahrenbriick, Prus- Saxony, 7, 1701—Berlin, Aug. 8, 1759; bro. of above; organist, singer, court-conductor, poser. Graupner (growp’-nér), Chp., Kirchberg, Saxony, 1687 — Darmstadt, Grandi (grin’-dé), Ales. de, Venice (?) © 1760; dram. composer. —Bergamo, 1630; singer and com Grave ure (grav-ér’), Louis, American poser. tenor; originally sang as barytone; (grin-vil), Mme. N. Y. début, 1915; has appeared Félicie Clémence de Reiset, Viwidely as Lieder singer; formerly faccomte e de, Saint-Rémy-des-Monts ulty member, Mich. State Inst. of (Sarthe), France, Jan. 20, 1830— Mus. and Allied Arts; held private Paris, Jan., 1907; pupil of Flotow and cla es in several Amer. cities; now Saint-Saéns (comp.); prod. the operas res. in Europe; m. Eleanor Painter, “Pic colin i’”? (Op.-Com., 1868), ‘‘Les soprano; divorced. Fiances des Rosa’ (Th.-Lyr., 1863), Gray, Alan, York, Dec. 23, 1855— **Atala”’ (Paris, 1888), ‘“‘Mazeppa” Cambridge, England, Sept. 27, 1935; (Bordeaux, 1892) and others; won the organist; studied law, then music Prix Ro ini with oratorio ‘‘La Fille under Dr. E. G. Monk; 1883-92, de Jaire,”’ “‘drame sacré,” ‘‘Saint emus i cal dir. Wellington College; then Agnés” in MS.; had prod. symph. org. Trinity College, Cambridge, and works and songs; sometimes wrote cond. of the University Musical under pen names ‘‘Tesier, Val grand, Society; c. cantatas ‘‘Arethusa”’ Jasper, Banger,” etc. (Leeds Festival, 1892) and “‘A Song of Redemption’ (do., 1898), 4 organ Gras (dorii-gris), Mme. Julia Aimée sonatas, string quartet, piano quarDorus, Valenciennes, 1807—retired, tet, violin sonata, part-songs, etc. 1850; operatic singer Paris and LonGraziani (gra-tsé-i’/-né), (1) (Padre) on. Tommaso, b. Bagnacavallo, Papal Gra e (gris), Edwin, b. New York States; conductor and composer of City, Aug. 13, 1884; blind violinist, r6th cent. (2) (or Gratiani) Bon i pianist and composer; pupil of Carl face, Marino, Papal States, ca. 1606 Hauser, N. Y.; at 13, of César Thomson, Bru els, Cons., taking 1st prize; 1901 took ‘‘Prix de Capacité”; début Berlin, Feb. 22, 1902, with succ. N. Y., 1903; has given many concerts in U. S., incl. his own works for piano, vln., org., etc. Gra et (gras-sa), J. Jacques, Paris, ca. 1767—18309; violinist, conductor, profe or, etc.: