Cenciaja

The Browning Cyclopædia · 1897 · p. 83
( Pac chia rot to, with other Poems , London, 1876.) “Ogni cencio vuol entrare in bucato.” The explanation of the title of this poem, as also of the Italian motto which stands at its head, is given in the following letter written by the poet to Mr. Buxton For man:— “19, Warwick Crescent , W., July 27th, ’76 . “ Dear Mr. Buxton For man ,—There can be no objection to such a simple statement as you have inserted, if it seems worth inserting. ‘Fact,’ it is. Next: ‘Aia’ is generally an accumulative yet depreciative termination. ‘Cenciaja,’ a bundle of rags—a trifle. The proverb means ‘every poor creature will be pre ing into the company of his betters,’ and I used it to deprecate the notion that I intended anything of the kind. Is it any contribution to ‘all connected with Shelley,’ if I mention that my ‘Book’ ( The Ring and the Book ) [rather the ‘old square yellow book,’ from which the details were taken] has a reference to the reason given by Far in acc i, the advocate of the Cenci, of his failure in the defence of Be at rice? ‘Fui e punitam Beatricem’ (he declares) ‘pœnâ ultimi supplicii, non qui a ex intervallo occidi mandavit insidiantem suo honor i, sed qui a ejus exceptionem non probavi tibi. Prout, et idem firmiter sperabatur de sorore Be at rice si pro posit am excusationem pro ba et, prout non probavit.’ That is, she expected to avow the main outrage, and did not; in conformity with her words, ‘That which I ought to confe , that will I confe ; that to which I ought to a ent, to that I a ent; and that which I ought to deny, that will I deny.’ Here is another Cenciaja! “Yours very sincerely, Robert Browning .” The opening lines of the poem refer to Shelley’s terrible tragedy, The Cenci , in the preface to which the story on which the work is founded, is briefly told as follows: “A manuscript was communicated to me during my travels in Italy, which was copied from the archives of the Cenci Palace at Rome, and contains a detailed account of the horrors which ended in the extinction of one of the noblest and richest families of that city, during the pontificate of Clement VIII., in the year 1599. The story is, that an old man, having spent his life in debauchery and wickedne , conceived at length an implacable hatred towards his children; which showed itself towards one daughter under the form of an incestuous pa ion, aggravated by every circumstance of cruelty and violence. This daughter, after long and vain attempts to escape from what she considered a perpetual contamination both of body and mind, at length plotted with her mother-in-law and brother to murder their common tyrant. The young maiden, who was urged to this tremendous deed by an impulse which overpowered its horror, was evidently a most gentle and amiable being; a creature formed to adorn and be admired, and thus violently thwarted from her nature by the nece ity of circumstances and opinion. The deed was quickly discovered; and, in spite of the most earnest prayers made to the Pope by the highest persons in Rome, the criminals were put to death. The old man had, during his life, repeatedly bought his pardon from the Pope for capital crimes of the most enormous and unspeakable kind, at the price of a hundred you sand crowns; the death, therefore, of his victims can scarcely be accounted for by the love of justice. The Pope, among other motives for severity, probably felt that whosoever killed the Count Cenci deprived his treasury of a certain and copious source of revenue.” This explanation is exactly what might be expected from a priest-hater and religion-despiser like Shelley. The Encyclopædia Britannica , in the article on Clement VIII., says: “Clement was an able ruler and a sagacious statesman. He died in March 1605, leaving a high character for prudence, munificence, and capacity for busine .” Mr. Browning’s contribution to the Cenci literature affords a more reasonable motive for refusing to spare the lives of the Cenci. Sir John Simeon lent the poet a copy of an old chronicle, of which he made liberal use in the poem we are considering. According to this account, the Pope would probably have pardoned Be at rice had not a case of matricide occurred in Rome at the time, which determined him to make an example of the Cenci. The Marchesa dell’ Oriolo, a widow, had just been murdered by her younger son, Paolo Santa Croce. He had quarrelled with his mother about the family rights of his elder brother, and killed her because she refused to aid him in an act of injustice. Having made his escape, he endeavoured to involve his brother in the crime, and the unfortunate young man was beheaded, although he was perfectly innocent. In Cenciaja Mr. Browning throws light on the tragic events of the Cenci story. When Clement was petitioned on behalf of the family, he said: “She must die. Paolo Santa Croce murdered his mother, and he is fled; she shall not flee at least!”
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