interval, extreme
The American History and the Encyclopedia of Music · 1908 · p. 289
An interval a half tone greater than Tuned; set to iriusic; begun. 289 270 in to nazi one inversion in to natura (in-t6-na-too'-ra) It. n. at the beginning of the Communion in to nazi one (in-to-na-tsi-6'-ne) It. n. service. Intonation; imitation. intuonare (in-too-6-na'-re) It. v. in to nie ren (in-to-ne'-ren) Ger. v. To intone; to chant; to recite mus i- To intone; to put into tune; to cally; to recite to certain rhythmical sound; also to voice, or regulate the musical phrases repeated again and pitch of organ-stops. In trade (in-tra'-de) Ger. n. again, inventio (in-ven'-shi-6) Lat. n. Prelude; a short introductory move- A name for the tricinium, a comment. position having three parts, intreccio (in-tret'-cho) It. n. invention Eng. n. Intrigue: a short dramatic work. invention (afi-vafis-yon') Fr. n.musical intrepidezza (ln-tra-pi-det'-tsa) It. n. 1. The ability to find new Boldne ; fearle ne ; as used in material or new methods of comb in the phrase con intrepidezza, with ining materials. trepidity. 2. An old name for species of pre int rep i do lude or short fantasia. A short inadv. (In-tra'-pe-do) It. adj. and formal contrapuntal study having one 1. (adj.) Intrepid; fearle . theme. A term similar in meaning to 2. (adv.) Boldly, daringly, with impromptu, a composition not in any courage. set form having the character of an intro duci men to (in-tr6-doo-chi-men'- extempore piece. to) It. n. 3. A name given by Bach to fifteen Introduction. small piano pieces of two parts each.
Readham'da tam maddeyi gor →