Allegri

(al-la'-grg), Gregorio, compr. b. member Romo, 1584, d. there, Feb. 18, 1652. 1884-1889, Pupil of Nanini, member of Papal Choir, composed Miserere m 9 parts, Alypios which was performed annually at 360 Sistine Chapel, (written down from tion memory by Mozart in 1770). notation ALYPIOS Charles XL, vli. b. York, Eng., d Boston, Apnl 7, 1903. under Saenger m Paris; first Pans Grand Opdra, m Boston 1871, organized Beethoven joined Mendel ohn Quin- 1877; member of Philharmonic Bost of Harvard Mus A 'n, Symph. Orch. H. K. Hadley pupils. Frances, compr. b 1849; d. Oct. 1, 1912. Gained scholat Guildhall School of Mus., there under Gadsby, win prize for orchestral compo side but as concert singer, Lon- 1882; since failure of voice composed exclusively; published charming songs (al-men-ra'-der), Karl, bas virtuoso b. Ronsdorf, near Oct. 3, 1786, AMATI Amfl violin-makers, School. mark m tone. 1611), ers, their are clear brother ba es tonio (1551-1635), ther's seems with accuracy are and son, 12, own grace power made, model beautiful his an carried Andrea Strad i var i us. Ambros historian, Nov. 1876. ied vice; and nings ably work, his Cons.; Ambrose, Milan, from singing about development Western onal chant, distinguished many but name ANSCHtfTZ t (a-ma'-ti), celebrated family of Amiot (a'-mi-5), writer b. Toulon, founders of Cremona 1718; d. Pekin, 1794. Jesuit priest. As a whole, their violins mi ionary to China, Translated advance on the Brescia School and wrote works on Chinese music. beauty of shape and delicacy of Andrea (aot. 1530-Apr. 10, Anderton, Thomas, compr. b. Biroldest, nupi! of Brescia makmingham, Apr 15, 1836; d. Edgo: gin a'.cc. 'mprovements on bast on, Sept 18, 1903. Teacher of work; very few of his violins mus conducted singing cla es and extant; they are small, graceful, orchestral concerts; 1874 became m tone but not strong. His editor of paper, gave mus. lectures, Nicolo (fl. 1568-1635) made wrote cantatas, John Gilpin's Ride chiefly. Andrea's sons, An- Wreck of the Hesperus etc., and (1550-1638) and Geronimo songs. improved on their fa- Anerio (k-n&'-rio), Felice (fe-lS'-che), work; Geronimo especially compr. b Rome, abt. 1560; d there, to have designed his violins abt 1630. Pupil of Nanini; sucparticular care for geometrical ceeded Pal estrin a as compr. to Papal and graceful beauty, they Chapel, 1594; composed ma es, sometimes larger than his father’s motets, madrigals, etc. have a similarly sweet tone His Nicolo, b. Sept. 3, 1596; d Aug. Anger, Joseph Humfrey, orgt., compr. 1684, most famous even m his b. Ashbury, Eng 1862 Mus. train day, increased still further the ing under private teachers; Mus. Bac. of outline and added the needed Oxford 1889; orgt. Bristol, 1891 at and intensity of tone; ho Ludlow, and musiemaster in King also, some violins on a larger Edward VI School there; 1893 head (known as grand Amatis) and of theory dept. Toronto Cons., orgt. tenors and ’cellos. Though Ch. of the Ascension; works include son Geronimo (1649-1740) was Psalm 96, madrigals, pf. pieces; authinferior maker, Nicolo’s work was or of Treatise on Harmony. on to perfection by his pupils Anglebert (ongld-bar Jean Baptiste Guamenus and Antonio ), Henri d’, clavecinist compr. b. abt. 1628; d. Pans, Apr 23, 1691. Pupil (am'-bros), August Wilhelm, of Champion; chamber musician to b. Mauth, near Prague, Louis XIV; 1689 published Pidces 17, 1816; d. Vienna, June 28, de Clavecin collection of contempo- Nephew of Kiesewetter; studrary airs for harpsichord and org., law and entered government ser with preface which gives valuable in wrote pamphlet on sesthe.tics formation about playing ornaments history of music from begin of the time. to time of Pal estrin a, a remark accurate and authoritative Animuccia (a-ni-m ANSORGE conducted in London and New York where he made an attempt at German opera m 1862. Ansorge (an'-sor-ge), Konrad Eduard Reinhold, pst, b Buchwald, Silesia, Oct. 15, 1862. Pupil at Leip. Cons.; of Liszt, 1885; many succe ful tours m Eastern Euiope and America; teacher in Klindworth-Scharwenka Cons, in Beilin; comp. pf. pieces.