Bussler

Ludwig, theorist b. Berlin, Nov. 26, 1838; d. there, Jan* 18, 1901. Son of Robert, painter, author, and statesman, grandson of Karl, singer; choir boy under Von Hertzberg; taught theory by Dehn and Grell, instrumentation by Wierecht, teacher of theory at Berlin.?heatre conductor there; musical critic for National Zeitung. Has written many useful books on harmony and composition, several of which have been translated into English. 57 BUTT Butt, near Pupil of Mus., d6but Bouhy depth stage in many among Married, ford, 1870 Sbnglia; as Butter field, Hertfordshire, d. father, before where and leader allow to at induced lished m cago Norwich 1888 many 1 tion the Cabezon, sichord 1510; Blind former; II; for works motets, Cacdni Giulio about Pupil singing Duke 1578; CADY Clara, contralto b. South wick, Buxtehude (bux-te-hti-da), Diet rich, Brighton, Eng., Feb. 1, 1873. orgt., compr. b Helsingor, Denmark, of Kootham at Bristol: 1889 1637; d. Lubeck, May 9, 1707. J. H. Blower at Royal Coll, of Father Johann, orgt died 1674, may where she gained scholarship, have been his teacher; 466S became London 1892; studied with oigt. at Manenkirche, Lubeck, and at Paris 1895; voice of great held the post until his death; 1673 and beauty and commanding organized A bend mus i ken, concerts presence have made her much on Sunday afternoons in Advent of demand for festivals and concerts, concerted pieces for chorus and compositions written for her, orchestra and organ works. These them Elgar’s Sea Pictures concerts were deservedly famous and 1900, R. Kennerley-Rum widely influential (Bach walked 50 baritone b. London, Sept. 2, miles to hear them). As composer, Pupil of Henschel, Beume, and he is important for having developed d6but London 1893; known purely instrumental music, even fine, really artistic singer. before Bach, m his organ works and clavier pieces. Many of the clavier James Austin, compr. b pieces are lost; two vols. of organ Eng., May 18, 1837, works published by Spitta; also w rote Chicago, July 6, 1891. Taught by a large number of vocal works. a ’cellist, learned to play vln. 10; sang in Harm. Soc. of town, Byrd, William, compr. b. London, he studied mus. of Handel’s Eng., 1542 or 1543; d. there, July 4, other oratorios; at 15 deputy 1623. Said to have been pupil of of orch.; parent’s refusal to Tallis; orgt. at Lincoln Cathedral him to follow music drove him about 1563; shared post of orgt at U. S., where he settled m Chicago Chapel Royal with Tallis; and 19; taught vln. and singing, these two also held patent for selling parents to emigrate; puband publishing music; held his journal m Indianapolis; taught position and estates, by singular Chicago 1867-80, conducted Chifavor, although he and his family, as Jubilee 1873; 1880 director of Catholics, were in constant danger (Conn.) School of Vocal Art; of prosecution. Composed madrireturned to Chicago; composed gals, ma es, and services for the popular songs ( When You and Catholic ritual as well as a collection were Youna Maggie etc.), convenof music for the virginal, published singing books, cantatas, notably in the Fitz William Virginal book spectacular Belshazzar and m Lady Nevill’s work. c Felix Antonio de, orgt., harp for single voice; then composed solos player, b. Madrid, Mar. 30, in recitative form, j>erfomied with d. there, May 24, 1566. great succe in houses of Bardi from birth, yet eminent per and Corsi in Florence; then, after chamber musician to Philip some detached dramatic scenes, col arranged works of other men lab orated with Peri m producing the his instruments; edition of his first real oi>cra, Euridice 1600; in by Pedrell include ricercari, treatise Lc Nuove Music he C. exexercises, chiefly for organ. plains theory of recitative on which was based the new form of which he (ka-chS'-ni), Giulio [known as was, though not the inventor, an Romano], compr b. Rome, early supporter. 1550; d. Florence, Dec., 1618. of Scipione dell a Palla in Cady, Calvin Brainard, teacher, b. and lute playing; served Barry, 111., June 21, 1851. His father of Tuscany as singer after was a pioneer minister in the West, followed Galilei in composing so that the boy’s early education 58 CABMAN was in the old-fashioned country singing school and convention choruses; graduated from Oberlin (Ohio) Conservatory of Music, 1872; went to Leipzig and studied with Plaidy, Paul Richter, and Papperitz, taught music m public schools of Oberlin 1870: teacher of piano and harmony, Oberlin Conservatory, 1874, prof, of music, University of Michigan, 1880-88; in charge of work with children and teachers, Chicago Conservatory of Music, 1888-1894; lives m Boston, head of School of Music Education, and also lectures on musical pedagogy at Institute of Musical Art, New York and Teachers’ College, Columbia University. Author of a course m Music Education in three volumes, and Student's Reference Work; was a charter member of the Music Teachers’ National A ociation, founded in 1876. The main object of his profe ional labor is “ to establish music as a genuinely educational subject and to bring out its correlation with other major subjects of study.”