Satter

(zit’-tér), Gustav, Vienna, Feb. 12, 1832—Savannah, Ga., 1879; studied Vienna, Paris; 1854-60 toured the U. S. and Brazil; returned to Paris, where Berlioz warmly praised his compositions; lived in various cities; c. opera “‘Olanthe,’”’ overtures “Lorelei,” “Julius Cesar,” “An die Freude,”’ 2 symphs., a symph. tone picture “‘Washington,” etc. (zow’-ér), (1) Wm., Fried land, Mecklenburg, 1831—Frankfort, 1916; org.-builder from 1857 Frankfort-on-Oder. (2) LEIDESDORF. (3) Emil, von, b. Hamburg, Oct. 8, 1862; notable pianist; pupil of his mother; of N. Rubin stein at Moscow, 1881, of Liszt Weimar; from 1882 toured Europe and 1898-99 U. S. with great succ.; 1901-07, and again after 1915, head of pf.-dept. Vienna Cons.; c. suite moderne, “Aus lichten Tagen,” 2 piano concertos, concert-études, etc. (sd-ra), Emile, Dun-le-Roi, Cher, France, May 22, 1852—London, Feb. 12, 1920; notable violinist; pupil of Paris Cons. and of de Bériot, Bru els Cons.; at 8 began succ. European tours; America 1872, and frequently thereafter; 1880-81, t. Kullak’s Acad., Berlin; lived in Berlin till 1890, then prof. R. A. M., London; wrote “Gradus ad Parna um du viol on i ste”’ (Leipzig, 1894); c. 2 vln.-concertos, etc. Sauveur (s6-vir’), Jos., La Fléche, 1653—Paris, 1716; a deaf-mute, who learned to speak at 7, and became a notable investigator in acoustics (which word in fact he invented); he was the first to calculate absolute vibration-numbers and to explain overtones; (1700-13). pub.: