Castel’li

(1) Ignaz Fz., Vienna, —1862; editor. (k -tél-ma-ré) (stage name of Comte Armand de Castan), Toulouse, Aug. 16, 1834—New York, Feb. 9, 1897; barytone; died on the stage of the Met. Op., N. Y., just after the first act of ‘‘Martha.” (cis-tél-nd0-3’vo té-dés’-k6), Mario, b. Florence, April 3, 1895; composer; studied Cherubin i Cons., Florence; composition with Pizzetti; c. opera ‘“‘La Mandragola,” which won national lyric prize in 1925 and had prem iére at Venice, 1926; ‘‘Italian’”’ Concerto for vin. and orch., concerto for piano and orch. (1926); Symphonic Variations for vIn. and orch. (N. Y. Philh., under To scan in i, 1930); also many madrigals, part-songs, songs and piano works; in the last category are some 30 “‘ Poemetti” and 3 ‘‘ Poemi Campesirz”; he is known for his “Three Chorales on Hebrew Melodies’? for voice and piano; also about 100 settings of lyrics in various languages, incl. original series of “Shakespeare Songs”; a trio, a quartet; “‘Cipre i,” an orch. sonata; “‘Tre Fioretti di Santo Francesco” for voice and orch.; and ‘‘Bacco in To scan a,” a ‘‘dithyramb in one act” for soloists, chorus, orch. and dancers, to a poem by Redi; has written extensively on music. Castil-Blaze. Vide piaze, F. H. J. (k -té-y6n), de, Vicomte de Saint Victor, Chart res, Dec. 13, 1838—Paris, March 5, 1873; composer; pupil of Ma é and César Franck; c. symphony; overture, Ta o, Psalm 84 with orch.; piano concerto and important chamber music.