Guido

d’Arezzo (goo-é’-dé dar-réd’-zd) (Latinized Areti’nus), (?) ca. 995— Avellano (?), May 17 (?), 1oso &); music; Benedictine monk at Pomposo, near Ferrara, later perhaps at Arezzo; some investigators identify him with a Benedictine monk in the Monastery of St. Maur des Fo es, a to Italy, not scene” “‘Belsazar” for soli, chorus and orch.; ‘“‘Christ us Vincit,’ hymn for chorus, orch., harps and org.; org. sonatas, symphonies for organ and orch., etc., wrote treatise on instrumentation; ed. collection of Greg or i an music. (gé-rd), (x) Ernest, New Orleans, June 23, 1837—Paris, May 6, 1892; son of (2) Jean Baptiste G. (Prix de Rome, Paris Cons., 1827), at 12 in Paris; at 15 prod. opera “Le rot David” at New Orleans; studied Paris Cons., and took Grand Prix de Rome; later prof. of Paris Cons. and dram. composer. (gool’-brin-zén), Ellen, an Italian; his abilities as a singing teacher and musician led Pope John XIX. to summon him to Rome; he was later probably a Prior at Avelb. Stockholm, March 3, 1863; notable lano; though he is being stripped of soprano; studied with Marchesi, sang many of his early honours, it seems in concert; 1889 entered opera, sing true that he introd. the 4-line staff, ing ‘“‘Briinnhilde,” 1899 ““Kundry” at and ledger-lines and Solmisation Bayreuth and other réles in other (v. ARE TIN I AN; GAMUT and SOL MIS A cities; lives on her estate near TION, D. D.). Christiania.