miserere

Lat. (mis-e-re'-re or me-ze-ra-re) mi hallig (mis-heT-Hkh) Ger. adj. and adv. Have mercy: the Fifty-first Psalm sung in the Roman Catholic Church to Discordant; hear. di onant: unpleasant °"nng the evening services of Ho!} Week, Wednesday, Maundy Thurs- Mi klang (mis'-klang) Ger. n. Discord; inharmonious sound; a day and Good Friday. In the dark sound not in tune, 355 336 mis to moderato a ai mis to (mis'-to) Grk. adj. Mixolydian (miks-6-lid'-i-an) Eng. adj. from Grk. Mixed: a term applied by the ancients to some of their modes. A name applied to one of the ancient Greek and also to one of the misura (me-soo'-ra) It. n. medieval modes or scales. Its Greek Measure; time: a measure of music, the part of a composition contained form was usually called Hyperdorian. between two bar lines. In medieval church modes it was one of the authentic modes, those misurato (me-soo-ra'-to) It. adj. beginning on the final or keynote. Its Measured; in strict time. range was from G on the fourth space Mitklang (mit'-klang) Ger. n. in the ba upward through an octave. Simultaneous sounds; tones sound- See also Hyperdorian, Greek modes ing together; resonance. and music and church modes. Mitklingende Tone (mit'-kling-ent-e ta'-ne) Ger. Mixophrygian (miks-6-frig'-i-an) Eng. Tones that sound simultaneously; adj. from Grk. overtones, the subordiate sounds that One of the ancient Greek modes extending through the compa of the sound simultaneously with the fund a authentic and plagal forms, united. mental or lowest sound and together with it form a tone or note. See also Mixtur (mex-to or') Ger. n. harmonic. mixtura Eng. (miks-tchu'-ra) Lat. n. mixture n. Mitlaut (mit'-lowt) Ger. n. An organ stop composed of two or Mitlauter (mit'-low-ter) Ger. n., pi. more ranks of flue-pipes which pro- Tones sounded together; concord; a harmonious combination of sounds. duce the fifth degree and the octave, sometimes even the third degree or mitleidsvoll (nut'-lits-fol) Ger. adj. the seventh degree, with the normal Full of compa ion; compa ionate tone of the key pre ed. Its purpose in character. is to make the tone more brilliant,