arpeggio (ar-ped'-jo)

The American History and the Encyclopedia of Music · 1908 · p. 64
The playing It. n. of a chord of the notes arpinella (ar-pi-nel'-la) It. n. in the style of a harp, not simultan- See arpanetta. 64 45 arpone Asperges me arpone (ar-po'-ne) like It. n.the harp but art i cola to (ar-te-ko-la'-to) It. past An instrument having its strings set horizontally in- Articulated: given distinctly. stead of vertically. It was played like art i col azione (ar-te-ko-la-tsi-6'-ne) It. the harp. It was invented about the n.part. end of the Eighteenth Century by Bar- Articulation: exact and distinct probiere of Palermo. nunciation. arrangement articulation The adaptation of music for some The clear and distinct rendering of other instrument or voice, or for some each syllable and of every tone in both purpose for which it was not org in vocal and instrumental music. ally intended. Orchestral scores are articuler (ar-te-kii-la) Fr. v. frequently arranged for piano, piano To articulate, utter, pronounce duets as solos, or a separate compos i words distinctly: to enunciate the tion as an overture or incorporated in notes separately and clearly. a larger work, such as an opera or artificial vice vers a. There are already a long Not natural: applied to chromatic array of arrangements, made by one notes or chords, i. e., notes which have composer of another's works or of his become a semitone higher or lower own. Abbr. arr. than they are naturally, by means of arranger (ar-ran-zha) Fr. v. sharps, flats or naturals, and chords in which one or more chromatic notes
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