Pollaro

lo. (pél-la-r6’-16), (1) Carlo Francesco, Brescia, ca. 1653—Venice, 1722; composer; organist and a istant-cond. at St. Mark’s; c. 3 or a to trios, 68 operas, etc. His son and pupil (2) Antonio, Venice. 1680 Venice, 1746;- 1723, Mark’s; c. operas. cond. St. Bat., (pél-la’-drd), Giov. Piova, n. Turin, 1781—1853; violinist, cond. and compeser. ° Polleri (pél-la’-ré), Giov. Bat., Genoa, June 28, 1855—Oct., 1923; organist; from 1887 teacher m the U. S.; 1894, in Genoa; from 1808 dir. of the Cons.; c. organ pieces, etc. Pollini (pél-lé’-né), (1) Fran., Laibach, Carniola, 1763—Milan, Sept. 17, 1846; pianist and pf.-prof., 1800, Milan Cons.; perhaps the first to write pf.-music on 3 staves. (2) Bd. (rightly Pohl), Cologne, Dec. 16, 1838—Hamburg, Nov. 27, 18073 tenor, later barytone; but more famous as manager; his second wife was Bianca Bianchi. (3) Cesare, Cavaliere de, Padua, July 13, 1858— Jan. 26, 1912; studied with Bazzini, Milan; 1883-85 dir. of a Cons. at Padua; resigned to write and compose., (pél’-lits-ér), Ad., Pesth, July 23, 1832—London, Nov. 14, 1900; violinist; pupil of Béhm (vin.) and Preyer (comp.), Vienna; toured Europe, then studied with Alard at Paris; 1851 leader H. M.’s Th., London; later New Philh. Soc.; prof, of vln., London Acad. of Mus.; 1890, director. (pén-shir), (1) L. Ant. Eléonore, Paris, 1787—1866; and prof. at the Cons. (2) Chas., Paris, 1824—1891; son of above; teacher at the Cons. (pén-ki-él’-lé), Amilcare, Paderno Fasolaro, Cremona, Aug. 31, 1834—Milan, Jan. 16, 1886; opera composer; pupil Milan Cons.; organist, then bandmaster, 1881; cond. Piacenza Cath. from 1856; c. 10 operas, incl. “‘La Gioconda,”’ widely popular; 1902 his son discovered a MS. opera “Z Mori di Valenza” (composed, 1878-70):