hypoaeolian

adj. from(hi Grk. - po - e - 6'- li-an) Eng. through an octave. See also Greek A name applied to one of the Greek modes and music, and church modes. scales beginning on C, embracing two Hypo i on i an (hi'-po-i-6'-ni-an) Eng. octaves, and including five tetrachords, adj. from Grk. groups of four tones. The name applied to one of the In medieval church music it was bracing two octaves and built from one of the plagal modes, those begin- Greek scales beginning on Bb, emning on a fourth, two and one-half five tetrachords, groups of four tones below the keynote, and its tones. In medieval church music it is range was from E on the third space the name of one of the plagal modes, in the ba upward through an octave. those which began a fourth, two and See also Greek modes and music and a half tones below the keynote and church modes. ranged from G on the first line in the hypocritic music ba upward through an octave. See Music among the ancient Greeks also Greek modes and music, and intended for the stage of a theatre; in church modes. modern^ times, all music adapted to Hypolocrian (hi'-po-lo'-cri-an) Eng. pantomimic representation. adj. from Grk. hypo diapason (hi'- po - di - a-pa'-z6n) A name applied to a mode or scale Grk. n. in medieval church music. It is one Octave below; in early music the of the plagal modes, those beginning interval of an octave when measured on a note a fourth or two and a half downward. tones below the keynote. This particular mode was seldom used. Its