false accent

The accent removed from the it is not easily managed. proper beat, 2. A singer who uses this register false cadence almost exclusively is the male alto. A closing strain which does not It is much more obvious ii a male produce the effect of completene . voice than in a female. Abbr. falset. Same as imperfect or flying cadence. falso (fal-so) It. adj. false chords False; wrong. Chords that do not contain all the falso bordone (fal'-so bor-do'-ne) It. intervals belonging to them, that is, 1. Faburden originally signified a chords some of whose tones are drone, hence used in the connection, omitted. a drone ba as a bagpipe. false fifth 2. A melodic part at intervals of A fifth is an interval of three whole thirds (four half steps) or sixths (nine tones and one semitone. If this inter half steps) added by ear to a given val be narrowed a semitone by raising part called cantus firm us, that is, a the lower or lowering the upper tone theme or air which remains the same a half step, the result is a false fifth. as the different voices take it. Also called diminished, imperfect, 3. Intonation of psalms. flat, minor, or defective fifth. 4. The reciting note, or the note false harmony upon which the voice dwells until it Harmony not based upon estabcomes to a cadence. lished rules. See also harmony, false, fandango (fan-dan'-g5) Spa. false intonation The national Spanish dance, which Incorrect intonation, the tones not originated in the early part of the true to the key. Eighteenth Century. The notes of 218 199 fandango feeders the fandango thrill every native of idly in and out under each others' Spain, no matter of what age or sex, arms, forming a spiral figure around no matter what their social standing, a central couple. This dance was or if they have no standing at all. It popular with the court ladies, and may be danced alone, when the dancer its features adorn many of the figures has an excellent chance to display in modern dances. grace and skill, or it may be danced farneticamente It. adv. (far-ne-ti-ka-men'-te) by one couple, or by several couples. When the music starts up the young Frantically; deliriously. men spring to their places with nimfarsia (far'-si-a) It. n. ble steps, rattling castanets, or snap- A non-metrical hymn or canticle in ping their fingers to the time of the Italian and Latin used at certain dance. The girls, equally light-footed, Roman Catholic festivals. sway lithely and keep time to the fascia music by clicking their heels to- 1. See(fa'-sha) tie. It. n. gether. In graceful, supple movements 2. The side of a violin, viola and like instruments. the partners approach, repel and purfa ade sue each other. Suddenly the music ceases, and the dancers stand like The front of an organ case, statues, springing into life the mofastoso (fas-to'-so) It. adj. ment the music begins again. Pompous; proud. The fandango moves along in fattura (fat-too'-ra) It. n. quick triple measure. As a popular 1. The construction or workman dance on the street and in inns it is ship of a composition. often too sensuous, but when used 2. The scale or diameter of organ in society it becomes more refined pipes. Equivalent to Faktur (Ger.) but loses much of its vivacity. Every and facture (Fr.). Spaniard knows the fandango and faucette (fo-sef) Fr. n. can dance it. Falsetto; a false or artificial voice; a head voice. fandanguero (fan-dan-gwa'-ro) Spa. n. fau e (fos) Fr. adj. A skilful dancer of the fandango, fanfara (fan-fa'-ra) It. n. False, out of _ tune; applied to inter fanfare (fan-far') Fr. n. vals when diminished or imperfect. A flourish on a horn or trumpet. fau et Same (fo-sa') as faucette. Fr. n.