padiglione

Literally, (pa-del-yo'-ne) butterfly: the It.bell of a An organ with a complete set of wind instrument, that is, the wide, pipes. The word, pair, simply means flaring opening of a horn. a set, and was formerly an exprespadovane (pa-do-va-ne) It. n. sion more in general use than now. paduane (pa-doo-a'-ne) It. n. paired notes Equivalents of pavan. See also A parallel series of notes played with one hand, as a series of thirds, pavan. sixths or octaves. paean paisana (pa-e-sa'-na) Spa. n. Originally, a Greek hymn to a help- A country dance. giving deity, Apollo, in particular, under the name of Paean or Pason, palalaika the physician. Such hymns were A rude (pa-la-li'-ka) Ru ian or n.gypsy guitar invocations asking for help in war, having two to four strings. Equivalent before battle, or giving thanks after to balalaika, the battle, for aid received; hence, a palatal tone song of triumph; a loud and joyous A tone uttered with the aid of the song, palate. paean palco Stage(pal'-ko) It. n. box. See (pe'-an) paeon. of a theatre; Pal estrin a style paeonEng.diagyios from Grk.(pe'-on di-a-ji'-i-6s) Form established by Pal estrin a, A metrical foot composed of three who lived in Italy in the Sixteenth syllables or notes, the first and third Century. He set the model for lofty of which are long, the second short, purity of style in church music. His thus: — ^ — • It is also called cretic thought was purely religious. In and amphimacer. music, he adhered to the ecclesiastical scales and avoided progre ion by paeon from primus Grk. (pe'-on and Lat. pri'-mus) Eng. half tones. He was skilful in adding A metrical foot consisting of four melodies to a given melody. The syllables or notes, the first of which Roman school of church composers is long and the last three short, thus: was founded by Pal estrin a. His — • w ^ ^- Pason is the name of a solemn church style has also been hymn in honor of Apollo and this called the cappella style. Equivalent meter was frequently used in such to Pal estrin as til. compositions. Pal estrin as til (pal-es-trin'-a-shtel) Ger. n. paeon from quart us Grk. (pe'-on and Lat.kwar'-tus) Eng. The style of Pal estrin a. A metrical foot composed of four palettes (pa-let') Fr. n. syllables or notes, the fourth of which The white keys of the keyboard, is long, the others short, thus: _ _ palilia (pa-lil'-I-a) Lat. n. A rustic festival of early Rome, paeon secund us (pe'-on se-cun'-dtis) celebrated yearly on April twenty- Eng. from Grk. and Lat. one, in honor of the godde Pales A metrical foot consisting of four who presided over flocks and shepsyllables or notes, the second of herds. A description of these rites is which is long, the others short, thus: found in Ovid. At the conclusion of many solemn and peculiar ceremonies 404 385 pantalon that occupied the pal ilia day, at nightfall its compa . It was capable of pro bonfires were made of hay and straw, ducing double notes, as thirds or when, to the music of flutes and cymsixths, and po e ed a soft, delicate bals, the sheep were made to run quality of tone. through the fire three times, in token Pandean of purification, the shepherds them- An epithet applied to any music selves following. By some author i suitable for the Fistula Panis or Panties it is called parilia from the Latin dean pipes. Pandean pipes verb pario, to produce, to bring forth, A rude wind instrument, known in