Fugere

(fii-zhar), Lucien, Paris, March 3, 1848—July 15, 1935; barytone; pupil of Raguenau; début, 1870; sang for many years with notable succ. at Paris Op. and Op.-Comique; occasionally made operatic appearances when over 80. Fiihrer (fii’-rér), Robt., Prague, 1807— Vienna, Nov., 1861; organ-composer. (foor’-min), (1) G. Ld., wrote work on the lute, Niirnberg, 1615. (2) Martin H., 1669—after 1740; theorist and writer. Fuller-Maitland. Vide. marrLanp. 'Fumagalli (foo-md-gil’-lé), name four bros. b. at Inzago, Italy: (1) Disma, 1826—Milan, 1893; profe or and composer. (2) Adolfo, 1828 —Florence, May 3, 1856; pianist. (3) Polibio, Nov. 2, 1830—Milan, June 21, 1901; pianist and composer. (4) Luca, Inzago, May 29, 1837— Milan, 5, 1908; Cons.; concert-pianist; prod. opera “Tuigi XI’ (Florence, 1875). Monte(foo’-mé), Vinceslao, pulciano; 1880; Tuscany, conductor, 1823—Florence, violinist, dram. composer and collector. (foor-li-nét’-t6), _Bona Furl a net to Venice, (called Musin), 1738—1817; singing-teacher, conductor and composer. (foor’-nd), Giov., Capua, —Naples, 1837; profe or and dram. composer. Fursch-Madi (foorsh’-ma-dé), Emmy, Bayonne, France, 1847—Warrenville, N. J., Sept. 20, 1894; pupil of Paris Cons., début, Paris; came to America, 1874, with the New Orleans French Opera Company; 1879-81, Covent Garden, London; her final appearance was as “‘Ortrud,” N. Y., 1894. Fiirstenau (fiirsht’-é-now), (1) Kaspar, Miinster, Westphalia, 1772—Olden com flute-virtuoso; burg, 1819; poser, (2) Anton B., Minster, 1792 —Dresden, 1852; son and pupil of (3) above; flutist and composer. Moritz, Dresden, 1824—1889; son and pupil of (2); flutist and writer. Fiirstner (fiirsht’-nér), Ad., Berlin, 1833 —Bad Nauheim, 1908; founded (1868) notable mus.-pub. house, Berlin. (fdort’-vang-lér), Wilhelm, b. Berlin, Jan. 25, 1886; conductor; pupil of Beer-Walbrunn, Rheinberger and Schillings; following early engagements as cond. in Zurich, Str as bourg, Liibeck, etc., succeeded Bodanzky at Mannheim Op., 1915; Vienna Tonkiinstler Orch., 1919; Berlin Op. and symph. concerts, after 1920; cond. Museum Concerts, Frankfort; Gewandhaus, afters 19225),.Ne+¥.. Phil; =Qreh;, 1925-26; Berlin Philh. Orch.. incl. tours to other countries with this organisation; Berlin State Op., also several seasons at Bayreuth; guest cond. at Vienna Op. and with Philh. Orch.; nominated to succeed To scan in i as cond. N. Y. Philh., 1936, but controversy among subscribers of this orch. as to his political and racial sympathies; has at times enjoyed the highest honours from the Nat’l. Socialist regime in Germany, incl. of Reich Chamber, as well as virtual dictator of music in Berlin, at other times has either resigned or been relieved of his posts; one of these instances occurred in 1934 following a stand which he took in championing the music of Paul Hindemith, by German Ministry of Culture and Propaganda as showing traits of ‘cultural Bolshevism”; restored to his orchestral and operatic baton posts, but in 1936-37 again granted year’s leave of absence. Jn. Jos., Hirtenfeld, (foox), Upper Styria, 1660—Vienna, Feb. 14, 1741; eminent theorist, organist, and court-conductor writer; c. 405 works (few pub.), incl. 18 operas, Io oratorios, 50 ma es, incl. mi a canonic a. He wrote the famous treatise on cpt. ‘‘Gradus ad Parna um”. in dialogue form; it is based on the church-modes. Biogr. by Kéchel (Vienna, 1872). Gabler (gip’-lér), Jn., d. ca. 1784; organ builder at Ulm. I. Biographical Dictionary of Musicians — G g