Alsace

Jan. 30, 1861. Pupil m vln. Edward, tenor b. London, Mar. of Leonard, Ma art, Joachim, in 7, 1845. Chorister at Westminster comp, of Guiraud and Kiel; played Abbey under J. Turle; voice turned in Pasdeloup’s orch., in Prince Derto tenor without breaking; chorister vier’s at Nice and Lugano, where he at Cambridge and Wells; gentleman was a ociated with C Thomson; of Chapel Royal 1869-71; after that came to N. Y. and to Boston, where devoted to festival and concert aphe was 1st violin at Boston Symph. ranees until retiring 1900; m U. Orch. 1882-1903, teaching (A. Hartr 1888; distinguished for singing mann his pupil) and comp, in Boston; Wagner selections and for creating composed songs, symph poems (La many new parts, such as those m mart de Tmtagiles Les verittes de The Redemption, Mors et Vita. The V Ukraine Avant que tu ne t’en aides, Golden Legend The Dream of Ger- ViUanede dudiable A Pagan Poem), ontius sextet, octet, works for wind instru- “ ments and for vln. He has certain (l5'-ba), Johann Christian, teacher affinities with the French school [in compr. b. Weimar, May 30, 1797; poetry as m music] whose e ential d. Leipzig, July 27, 1881. Pupil on traits are fine e, a pa ion for the flute of A. Riemamn and E. A. Muller, recondite, a scrupulous avoidance of soloist at Gewandhaus 1811; memtoo definite, too facile patterns, an ber Weimar orch. 1811-42; founded exquisite mastery of harmonic and mus. school; in Leipzig as editor of orchestral color; yet he is himself a AUgemeine Musik Zedung 1846-48, potential force of singular potency and of other journals; author of [the potency of a] refined inspiration books on theory and composition, and vivid mdividuality.” [L Gilman.] and of Musikahsche Brief Aits dem e, Leben ernes Mimkers interesting Loeschhom (lesh'-hom), Carl Albert, for critical comments and sketches pst writer b Berlin, June 27, 1819, of contemporaries. d there, June 4, 1905. Studied with L. Berger, Grell, and A. W. Bach at (loc-a-tel'-li). Pietro, vU. b. Royal Inst, for church music, where Bergamo, 1693; d. Amsterdam, Apr. he taught pf. after 1851; gave cham- 1, 1764. Studied with Corelli at ber concerts in Berlin, published Rome; after much traveling, gave regular concerts in Amsterdam; per excellent pf. music, and many valuable studies for pupils of all grades, formed marvelous feats of technic, and guide to pf. literature. especially in double-stopping; composed sonatas for flute, sonatas,